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Tenhz P4 Pro | Tenhz – P4 Pro(4Ba) 개봉기 최근 답변 238개

TENHZ - P4 PRO(4BA) 개봉기

당신은 주제를 찾고 있습니까 “tenhz p4 pro – TENHZ – P4 PRO(4BA) 개봉기“? 다음 카테고리의 웹사이트 https://dienbienfriendlytrip.com 에서 귀하의 모든 질문에 답변해 드립니다: https://dienbienfriendlytrip.com/finance/. 바로 아래에서 답을 찾을 수 있습니다. 작성자 Bad Guy Good Audio Reviews 이(가) 작성한 기사에는 조회수 4,694회 및 183707 Like 개의 좋아요가 있습니다.

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TenHz P4 Pro IEM Review – Equilibrium – Prime Audio Reviews

The TenHz P4 Pro is an exceptionally comfortable earphone. Its housings just melts into your ears and you can easily forget that they’re there. The resin shells …

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Source: primeaudio.org

Date Published: 7/29/2021

View: 8165

TENHZ P4 Pro – Reviews – Head-Fi

Like other earphones using this shell design, the P4 Pro is extremely comfortable. The acrylic material is very lightweight so you don’t have to …

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Source: www.head-fi.org

Date Published: 7/22/2022

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TENHZ P4 PRO Headphone 4BA Balanced Armature HiFi …

TENHZ P4 PRO Headphone 4BA Balanced Armature HiFi Monitor in-Ear Earphone with Detachable MMCX(Black). Visit the TENHZ Store …

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Source: www.amazon.com

Date Published: 11/5/2021

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TENHZ P4 PRO Tai Tai Nghe Chụp Tai 4BA Đơn Vị Ổ Đĩa 4 …

TENHZ P4 PRO Tai Tai Nghe Chụp Tai 4BA Đơn Vị Ổ Đĩa 4 Cân Bằng Phần Ứng HIFI Tai Giám Sát Tai Nghe Nhét Tai Có thể tháo rời MMCX dây cáp,Mua từ người bán ở …

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Source: vi.aliexpress.com

Date Published: 10/14/2021

View: 2715

Tenhz P4 Pro review: jack of all trades, master of none

The Tenhz P4 Pro are earphones for those who like “neutral” bass that is often in the background and proves body to the ms, but little more.

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Source: www.soundphilereview.com

Date Published: 9/23/2022

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Tenhz P4 Pro 4ba Trình Điều Khiển Tai Nghe Có Dây Trong …

Mô hình, TENHZ P4 Pro ; Kết nối, 3.5 mét ; Phong cách. Trong Tai ; Độ Nhạy Microphone. 110dB ; Vocalism Nguyên Tắc. Phần Ứng cân bằng.

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Source: vietnamese.alibaba.com

Date Published: 6/22/2021

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Tenhz P4Pro – Linsoul Audio

FOUR BALANCED ARMATURES Tenhz previously known as Audbos is the new name in high-value IEMs. The P4 Pro stands out for its four balanced-armature drivers: a …

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Source: www.linsoul.com

Date Published: 1/25/2021

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Tenhz P4 Pro IEM | Audiophile | Headphones – Drop

Tenhz—previously known as Audbos—is the new name in high-value IEMs. The P4 Pro stands out for its four balanced-armature drivers: a configuration rarely …

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Source: drop.com

Date Published: 7/17/2022

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주제와 관련된 더 많은 사진을 참조하십시오 TENHZ – P4 PRO(4BA) 개봉기. 댓글에서 더 많은 관련 이미지를 보거나 필요한 경우 더 많은 관련 기사를 볼 수 있습니다.

TENHZ - P4 PRO(4BA) 개봉기
TENHZ – P4 PRO(4BA) 개봉기

주제에 대한 기사 평가 tenhz p4 pro

  • Author: Bad Guy Good Audio Reviews
  • Views: 조회수 4,694회
  • Likes: 183707 Like
  • Date Published: 2018. 9. 29.
  • Video Url link: https://www.youtube.com/watch?v=Nnj4M9KZNKQ

TenHz P4 Pro IEM Review

Tested at $150

Hey there fam. Today we’re checking out an earphone from a manufacturer formerly known as Audbos, the TenHz P4 Pro. This IEM has 4 balanced armature drivers per side, sounds excellent and is one of the most comfortable earphones I’ve ever used. Shall we proceed?

Pros Good carrying case included

Good carrying case included Excellent build quality and comfort

Excellent build quality and comfort Clarity and balanced signature Cons Cable is a bit stiff

Buy on:

Linsoul Audio

Specifications

Color : Black

: Black Driver unit: 4 balanced armatures

Frequency response range: 10 Hz–40 kHz

Sensitivity: 110 dB +/- 2 dB

Impedance: 26 ohms

Connectors: 3.5 mm

Cable length: 1.2 m

This sample was provided for the purpose of an honest review. All observations and opinions here are my own based on my experience with the product.

Package and Accessories

The P4 Pro comes in a white box that has a colour image of the IEM on the front. Over on the back are the specifications, a fairly detailed description of the earphones and a frequency response graph.

Opening up the box reveals the beautiful faux leather carrying case that is provided. The case has a magnetic seal and a small metal plaque with the brand name and logo on it. This is a superb case and is a little bit larger than average. Sure, it does mean it isn’t really pocket friendly but there’s ample room to fit the IEMs without having to stuff them in like you have to do with smaller cases.

Right next to the carrying case are the earphones and eartips seated in a foam insert. Underneath the foam, you’ll find the cable. Let’s take a look at all the contents:

TenHz P4 Pro earphones

MMCX cable

3 pairs of silicone eartips (S, M, L)

3 pairs of foam eartips (S, M, L)

Faux leather carrying case

User manual/warranty card

This is a great bundle for something in this price range. Everything included is useful and practical and the great carrying case really adds a touch of premium to it all.

Build Quality and Design

Sporting a 3D-printed resin housing, the TenHz P4 Pro is a beautifully crafted IEM. It can match anything in this price range when it comes to build quality and looks.

The shells are very smooth all over and the transparent resin allows you to see the balanced armature drivers within. The black faceplates have a silver TenHz logo and are joined seamlessly to the shells.

Being a multi-BA driven earphone, the P4 Pro does not require any venting so there are no ports anywhere. The nozzles have a ridge on the end to hold eartips securely and the usual mesh cover is there too to prevent ear wax and other debris from penetrating the housings.

Cable

While the provided cable is of good quality, it’s not the most aesthetically pleasing you will see for something in this price range. Its twisted strands are covered by a single transparent sheath which looks quite nice but is a bit stiff and bouncy.

At the top are some transparent MMCX connectors and heat-shrunk pre-formed ear guides. There is a small, cylindrical, metal Y-split that is small and unobtrusive. The cable terminates in a small, straight 3.5 mm plug.

Comfort and Noise Isolation

The TenHz P4 Pro is an exceptionally comfortable earphone. Its housings just melts into your ears and you can easily forget that they’re there. The resin shells are silky smooth and contoured to fit naturally into the outer ear.

Noise isolation is above average. This all BA earphone is not vented so you’ve basically got a solid piece of resin filling the ear’s conchae. Even with the volume down low, you’ll hear very little outside noise while there’s music playing. Similarly, the noise leak is practically non-existent. You can wear the P4 pro anywhere (unless you need to hear the outside world!)

Sound

Gear used for testing includes the Shanling M0 and Acoustic Research AR-M20 DAPs. On the desktop, I was running JRiver Media Center from my PC to the FiiO K3 DAC.

The P4 Pro is super easy to drive and gets plenty loud from any source, including my Android phone

Text on the box describes the sound of the TenHz P4 Pro as being transparent and I agree with that statement. It has a balanced presentation and doesn’t emphasize any particular frequency over the others. The sound is detailed and clean with a touch of warmth.

Bass

The bass is fairly light with a slight emphasis on the mid and upper-mid bass. Its sub-bass extends well well but the level is very conservative so don’t be expecting any earth-shaking rumble. Instead, you get accurate tonality, tight control and texture.

Attack and decay are both slightly slower which give bass notes a fullness and some extra body. I found the P4 Pro’s bass to be suitable for all genres but it’s definitely not an IEM for bassheads.

Mids

The P4’s midrange is simply delightful. It’s smooth and has great articulation at the same time. Vocals have a nice density which makes them sound solid but not uncomfortably intimate. Acoustic and electric guitars sound great on this IEM and are loaded with texture.

Male and female vocals both sound very natural and accurate. The P4 Pro’s balanced presentation really gives the mids all the room they need to shine.

Treble

Continuing with its balanced presentation, the P4 Pro’s treble is neither recessed nor forward. There are no nasty peaks or harshness present and there is no sibilance either.

The treble extension is reasonable and note timbre is good. It’s crisp, lively and light and has enough presence to reveal detail but at no time does it become too aggressive either.

Soundstage

The stage is well-defined and average in size. There is a greater sense of depth than width or height. What the stage lacks in size it makes up for with very good instrument separation and black background.

Comparisons

TenHz P4 Pro vs BGVP DMG ($139 USD)

The most notable difference between these 2 earphones is undoubtedly the bass. The DMG (review here) has a healthy boost of bass and a powerful sub-bass rumble. The P4 Pro bass is much more neutral but it is also more textured and layered.

The DMG’s midrange is more recessed but it’s similar in tonality to the P4 Pro apart from some extra warmth in the lower midrange as a result of the more aggressive bass.

There’s a little more air and slightly better decay in the DMG treble which gives it a larger soundstage. In contrast, the P4 Pro has more solidity in the treble where the DMG sounds more diffuse.

When it comes to build and comfort these are both really good. However, I would give the P4 Pro a slight edge in comfort as it feels more natural in my ears. The build quality is equally as good on both IEMs but the DMG definitely has the nicer cable.

TenHz P4 Pro vs Hifi Boy OS V3 ($159 USD)

The OS V3’s bass carries more weight, most notably in the sub-bass. Mid-bass is punchier on the P4 Pro but doesn’t have the same impact as the OS V3’s dynamic bass driver.

Female vocals are a bit more vibrant on the P4 Pro as the OS V3 has a similarly forward but warmer midrange. The P4 Pro is more resolving in the midrange with the OS V3 sounding more earthy and rich.

The OS V3 treble is smoother and has better extension. It has an airier sound than the P4 Pro which opens up the soundstage a bit more, making it feel wider and deeper. These 2 earphones have an almost identical shape so the comfort is equally good on both, as is the build quality.

Whizzer A-HE03 ($155 USD)

The A-HE03 has a much more analogue sound and is significantly less resolving. In many ways, it sounds more like a single dynamic IEM than a hybrid.

Sub-bass on the Whizzer is huge compared to the P4 Pro. The bass on the A-HE03 is less defined and textured in general. One thing the Whizzer has in spades is cohesion although on some occasions the sub-bass does get out of hand.

In the midrange, the P4 Pro has more clarity and better separation. The Whizzer, on the other hand, does at times become a wall of sound, particularly if a track has a lot of bass action below 60Hz.

There’s better extension in the Whizzer’s treble but it’s more conservative and sits further back than the P4 Pro. Both earphones have a similar treble quality but the A-HE04 treble sounds more laid back because of the weighty bass response.

Comfort is superior on the P4 Pro and it feels more natural in my ears. When it comes to build quality these are both great – metal housings on the Whizzer vs the resin of the TenHz P4 Pro, although the Whizzer’s cable is definitely superior.

From left to right: Whizzer A-HE01, TenHz P4 Pro, Hifi Boy OS V3 and BGVP DMG.

Conclusion

The TenHz P4 Pro was a bit of a surprise for me. As I had never tried any Audbos products I didn’t really know what to expect. Seeing the refinement in the build quality and sound presentation shows the new company’s previous experience coming through.

This is a resolving and very capable IEM that I feel is well worth the asking price. It’s got a well-rounded accessory set, although the stock cable is a little disappointing.

If you’re looking for a multi-BA IEM to compliment your existing collection this is definitely one to consider, especially if you are after something less V-shaped and more linear.

TENHZ P4 Pro – Reviews

Driver: 4 balanced armatures (22955 Knowles for bass)

Impedance: 26 ohms +/- 10%

Sensitivity: 110 dB+/- 1dB

Frequency Response: 10Hz – 40Khz

Max Imput Power: 10mW

Distortion: =/< 2% P4 Pro earphones MMCX cable Leatherette carrying case Single flange silicone ear tips (s/m/l) Memory foam tips (s/m/l) ***** ***** ***** ***** *****​ Greetings,Today we're checking out the P4 Pro, a quad-balanced armature earphone from the folks at TENHZ.TENHZ you say? Another new brand, huh. Sort of, but not quite. You might recall Audbos, a spin off brand from Magaosi marketing primarily in the North American market. Back in early 2017 I reviewed the K3 and DB-02, both hybrids and competitive offerings in their respective price ranges. I'm not sure exactly when, but Audbos shortly split off to create their own independent products and to eventually rebrand as TENHZ.The P4 Pro is one a couple products to emerge from the re-branding. Among the budget audiophile community it is rapidly cementing itself as a worthy purchase due to a crisp, detailed, neutral-leaning signature. After spending over a month with the P4 Pro, I'm going to have to side with the community. This is a great earphone that is well worth checking out, if that's the sort of signature you're looking for. Let's take a closer look.Thanks to Lillian with Linsoul Tech for sending over a sample of the P4 Pro for the purposes of review. The thoughts within this review are my own subjective experiences with the P4 Pro and do not represent Tenhz, Linsoul, or any other entity. No financial incentive was provided to write this review. At the time of writing it was retailed for 120 USD: https://www.linsoul.com/product-page/TENHZ-P4-PRO-EARPHONE The P4 Pro is super easy to drive and in no way requires a amp. Phone and DAP users should be able to get the most out of the P4 Pro no problem, just be sure to feed it quality content since it is fairly revealing. I used mine straight out of the Shanling M0 or paired with my LG G6 with the iFi Audio ieMatch helping quell hiss. It was also power by my TEAC HA-501 on low damping with my Asus FX53V or one of a number of other devices sourcing music. I also used it frequently over Bluetooth (LDAC / LG G6) plugged into the Radsone Earstudio ES100 which powered it beautifully.I listen primarily to various EDM sub-genres (liquid drum and bass, breakbeat, drumstep, etc.), hip hop, and classic rock. While I enjoy a variety of signatures in my headphones I generally lean towards slightly warm with elevated treble and sub-bass, an even and natural mid-range response, with reduced mid-bass. The HiFiMan RE800, Brainwavz B400, and thinksound On2 offer examples of signatures I enjoy. Note that I generally listen at exceptionally low volumes.The P4 Pro's packaging is fairly simple in the exterior design. Primarily a matte white, there are some flourishes here and there on the front. Along with the usual branding, there is a glossy image of the earphones themselves with the cable attached. Also present is the statement “Completely Transparent Headphones”. Not sure if they're referring to the sound or build. A clipart-style image of a record and player arm wraps around the bottom left and onto the left panel. On the rear you find a fairly extensive specifications list and a paragraph explaining the P4 Pro and it's features via roughly translated English. You might think that by now these companies would have worked to improve the quality of translations given how popular Chinese earphones have become in primarily English speaking countries. Not that it really matters though, since most people will extend maybe a cursory glance at the package before tossing it out. Below this paragraph is a frequency response chart free of the usual stylized flourishes popularized by more mainstream brands. Lastly, there is an accessory list. One item of note is “headphone cable with microphone”. No mic here.Pulling the interior tray from the top via a white ribbon, you find the tray is split into two sections. The top half is filled with a very premium looking and feeling, magnetically sealed leatherette carrying case proudly displaying a small metal plaque emblazoned with the Tenhz Audio name and logo. This thing is nice and a very cool inclusion. The second segment contains the earpieces and tip collection placed within a foam insert. Underneath is the cable, neatly coiled and wrapped. In all you get:The foam tips are of decent quality using a fairly dense, almost rubbery foam. I have quite a few of these kicking around and find they last a lot longer than Comply equivalents. Easy to wash too, if necessary. The silicone tips are the same generic set you get with numerous other budget earphones. While they work, they didn't give me an ideal seal so I swapped them out after my initial listen for some Sony hybrids, and later on, RHA's Dual Density tipsAll-in-all, this is good accessory kit. The silicone tips are not fantastic, but everything else is worth keeping around, especially that awesome case.The P4 Pro features acrylic shells in a custom-like shape that is very similar to a number of products released in the last year and bit, such as the Kinera H3 and IDUN, and HiFiBoy OSV3. The smoky black/dark grey face plates contain the TENHZ logo in a contrasting silver. It's a subtle look that shouldn't attract a ton of attention. The rest of the shell is a transparent black that allows you to check out the internals, such as the individual sound ports for the various drivers. The crossover is a high point in the design since it is on full display at the base of the housing. The MMCX port on top is well-integrated, protruding maybe 1mm above the housing. This will be good for those that like to cable roll since there won't be any risk of larger plugs rubbing against the housing. It all feels smooth and well constructed with only a few minor flaws here and there, such as a single teeny bubble above the bass driver inside the right ear piece.The cable is pretty average in my opinion. Where most of the competition is including really high quality braided cables with their earphones, the more traditional single-strand cable here comes across somewhat basic. The clear sheath revealing the shimmery wires within looks fantastic, but it's a touch thin and on the stiff and springy side. The straight jack is very small with a flare that makes gripping it easy, but the strain relief is too stiff to provide any real protection from tugging. It also looks very similar to the jacks I've got on a few sub-10 USD earphones. The simple, relief free y-split is much the same, taking away from the subtle, premium design of the ear pieces. Things improve leading up to the MMCX plug where you find an outstanding set of preformed ear guides which oddly enough, have a slimmer section at the very end acting as extra strain relief. Cool. The plugs themselves are compact, clear sections of plastic that look pleasing to the eye and feel durable. It's a fine cable.Like other earphones using this shell design, the P4 Pro is extremely comfortable. The acrylic material is very lightweight so you don't have to worry about something heavy dangling from your ear canal. Since the shape is custom-like, the P4 Pro conforms well to your outer ear, locking itself into place securely. Those with especially small ears or those of an oddly shaped outer ear might experience some issues achieving a good seal. I expect the majority to be very pleased with the way the P4 Pro fits.Given the ear filling shape and lack of any ventilation, the P4 Pro has great isolation. Not uncommon for pure-BA products. With silicone tips and no music playing, the P4 Pro makes for a great set of ear plugs, dulling the noise of those around me to a murmur. I can still hear conversations fairly clearly, but they're much, much quieter than they would otherwise be. Put on some music and use the foam tips and you'll be in your own little world.The P4 Pro's treble is slightly elevated with emphasis seemingly placed in the lower treble regions (maybe around 5k?). I found this placement to give the P4 Pro a very detailed, but not particularly fatiguing sound. Upper treble is lacking sparkle giving the P4 Pro a somewhat dry presentation. This also means they're not quite as airy as other earphones. Texture is excellent though, as apparent in Rage Against The Machine's “Bombtrack” where cymbals have depth and definition in places other earphones are splashy and uncontrolled.The mid-range is the star of the show with a clear presence and natural tonality. Aesop Rock and Rob Sonic have similar rapping styles and voices (Rob is a bit higher pitched and more nasal), yet as they banter back and forth on “Dokken Rules (feat. Rob sonic)” they each sound quite distinctive. Guitars also sound right too, with tons of texture. Weighting and note solidity in general feels...right. Not too thin and analytic, but not overly thick and soft. When it comes to sibilance, the P4 Pro tip toes along a very fine edge without toppling over. This is the type of mid-range I would be plenty happy with were it more common.The Knowles driver handling the low end does a good job, though I wouldn't say there is anything particularly noteworthy going on down there. It's typical BA performance showing decent extension on Kavinski's “Solli” with rapid decay and attack or more mid- and upper-bass frequencies, and quite a lot of texture all throughout. If you're used to dynamic drivers, these will probably sound a little anemic, even though it's still boosted slightly above neutral. I certainly wouldn't call them bassy. If you do find them lacking low end, toss on some foam tips and make sure you give yourself time to acclimatize. You might be surprised.I found the P4 Pro's sound stage to be fairly average with greater depth than width. Thankfully, the outstanding imaging, layering and separation qualities keep each layer and instrument on a track individual. Even on Havok's most aggressive and congested tracks on their album 'Time is Up' the P4 Pro retains composure and keeps it clean.Overall I find the P4 Pro's signature quite balanced and that it provides a very satisfying listen for someone wanting a neutral leaning sound, without going all-in on that style of tune. There's still some fun to be had in the bass and treble. My main complaint, which is more of an observation that really only crops up when comparing to other products, is that the drivers sound a mite unrefined and really aren't a step up from the those used in more budget oriented sets like the KZ BA10.The BA10 with it's 5 BA setup, in my humble opinion, is an excellent sounding product that has been overlooked because of some questionable ergonomics. Fair enough, but when comparing to the P4 Pro which has been reviewing very well, it's easy to see that the BA10 swings up the price ladder. The BA10 has a slightly warmer presentation with smoother treble and mids, and a more impactful, aggressive low end. I found it's sound more refined in nearly every instance.Bass is one of the more notable differences with the BA10 providing greater extension and visceral feedback. It's one of only a few BA-only iems that can handle “Solli” without feeling compromised in the low end. The mid-range isn't as forward as on the P4 Pro, nor is it quite as detailed, but it is smoother and strays further from dabbling with sibilance. Treble on the BA10 isn't as prominent. It also sounds like it starts to roll off a little more at the top but it is much less tiring despite seeming to have it's spike up at a higher frequency. It has a touch more sparkle but not quite the same level of clarity of the P4 Pro, nor is it quite as tight and well controlled. The BA10 sounds huge compared to the P4 Pro without giving up anything in terms of imaging quality. Layering and separation are pretty much on par too. I'd personally take the BA10 over the P4 Pro based on sound nearly every time because 1) it's low end is much more satisfying without ever being overbearing 2) it sounds like the more refined, expensive product 3) much better sound stage. That said, the BA10 has a more colored, further from neutral signature so I can see why others would prefer the P4 Pro.Going back to the beginning of this comparo, the P4 Pro's fit is miles better. The BA10's design works, but it never feels secure since it's shape doesn't match that of any human ear. Build on the other hand is outstanding on the BA10. The all-aluminum shells are immaculately crafted. Still, the P4 Pro looks more subtle and professional compared to the BA10 with it's Iron Man color scheme. Cables? BA10's braided option looks better to me, has improved strain relief, and I find 2-pin connectors more reliable. It's also more flexible and less noisy. The P4 Pro's preformed ear guides win back a lot of respect, though I still think KZ does memory wire better than the vast majority of manufacturers so I don't mind it on the BA10.The A15 Pro's single dynamic has a warmer, smoother sound with a greater emphasis on upper mids and treble. I personally think the Haydn's bass presentation is quite sub-par, failing to evoke the qualities usually attributed dynamic driver; impact, weight, and physical presence. Its failing in these regards are apparent when a/b'ing with the P4 Pro which has a quicker decay and hits with more authority. A15 Pro only has the edge in extension. Mids are slightly thicker and more forward on the P4 Pro. A15 Pro sounds more open and spacious with a deeper, wider stage. P4 Pro's imaging is tighter and more accurate but the A15 Pro nearly matches it in layering and separation. P4 Pro is more crisp and detailed top to bottom. Primarily due to the low end presentation, I prefer the P4 Pro. The A15 Pro's low end is weedy and anemic, and completely unsatisfying.The A15 Pro's well-machined metal shells evoke a great sense of quality and premium feel, though ergonomics go to the P4 Pro which fit my ears more naturally. Neither has a particularly nice cable, but the edge will go to the P4 Pro. 1) The A15 Pro's fabric section kinks easily. 2) The P4 Pro's MMCX connectors do not display the same intermittent connection issues, and do not detach during regular movement. The A15 Pro's packaging and accessories are more plentiful and of higher quality, save for the included carrying case. Tenhz's is essentially just a larger version of Whizzer's and uses nicer materials.IDUN's hybrid setup has a notably more v-shaped signature with sharper, more shimmery treble and more thumpy, punchy bass. Mid-range de-emphasis definitely takes the attention off it when compared to the bass and treble, and listening to it back-to-back with the Tenhz. P4 Pro is a little more detailed, but not much, though low end texture is much better than on the IDUN. IDUN's vocals are set further back on the stage giving it a smaller presentation than the P4 Pro. P4 Pro's imaging, layering, and separation all feel more accurate and spacious. IDUN is slightly congested in comparison. I appreciate the extra bass of the IDUN's dynamic but overall prefer the sound of the P4 Pro.I didn't receive any official packaging with the IDUN so I can't comment on that, but I will say that they go tit for tat on accessories. The IDUN's less generous tip set is of much higher quality being that they use Sony hybrids, or a nigh identical third party alternative. The IDUN's branded metal case is lovely and essentially the same thing you get with the 2000 USD HiFiMAN RE2000, but, I think Tenhz's leatherette case is just as nice and possibly even more premium looking. That said, you can't deny the extra protection a metal case gives over a semi-hard leatherette case. While they are similarly built, the P4 Pro's acrylic has a cloudiness to it not present in the IDUN, though you'd never really notice it unless setting them side-by-side. IDUN's braided cable is a masterpiece. 'Nough said.The Tenhz P4 Pro doesn't wow me like some other earphones, but I consider that a good thing. Products that blow me away out of the box tend to lose their luster quickly. Those like the Tenhz P4 Pro seem to just get better over time. It's consistent and reliable and doesn't do anything to turn me off when I just want to sit and listen to music, either as a primary focus or in the background.The P4 Pro is nicely built, outputs a quality sound signature, is plenty comfortable, isolates well, and overall feels like a decent value, though the forgettable cable and generic tips pull from the presentation somewhat. Driver refinement is a touch behind that of similarly priced competition, but even so it doesn't really take away too much from the overall experience. This is a rock solid earphone in a competitive segment that shouldn't disappoint many, as long as you know what you're looking for. I have no issues recommending this one to someone wanting a neutral-leaning earphone with outstanding mids and an attractive but subtle design, one that doesn't cost a bundle. Well done Tenhz.Thanks for reading!- B9ScramblerAesop Rock – The Impossible Kid (Album)Hail Mary Mallon – Are You Going to Eat That? (Album)King Crimson – Lark’s Tongues in Aspic (Album)King Crimson – Starless and Bible Black (Track)Supertramp – Crime of the Century (Album)Infected Mushroom – Legend of the Black Shawarma (Album)Gorillaz – Plastic Beach (Album)Massive Attack – Mezzanine (Album)Fleetwood Mac – Rumors (Album)Run the Jewels – Run the Jewels (Album)The Prodigy – The Day is My Enemy (Album)Tobacco – screw*d Up Friends (Album)Felt – Felt 2 (A Tribute to Lisa Bonet) (Album)Michael Jackson – Thriller (Album)The Crystal Method – Grace (feat. LeAnn Rimes) (Track)Jidenna – Long Live the Chief (Track)Skrillex – Ragga Bomb (Track)Big Grams – Run for Your Life (Track)Funkadelic – Maggot Brain (Track)Aesop Rock – Fishtales (Track)

Tenhz P4 Pro review: jack of all trades, master of none

The unknown can be either exciting or frightening, depending on your attitude. Often the former is true, especially when trying new audio gear is involved. One thing’s for sure, though: there are usually no expectations about something you don’t know. That’s important when you review something and it was true about the Tenhz P4 Pro, which I was offered to try. They rapidly became quite exciting as soon as I got to know them, but then this excitement left its place to something else as I started knowing them better.

Disclaimer: the Tenhz P4 Pro were sent as a free sample I won’t have to return by Linsoul Audio. They sell the earphones on AliExpress and Amazon for $150.

TL;DR: recap

Pros Cons Lots of accessories Solid build quality Incredibly comfortable Superb isolation Almost entirely neutral tuning Jack of all trades, but master of none: not especially good at anything Lack of bass and sub-bass Not a lot of details throughout the spectrum

Rating: 8/10

Packaging & Accessories

The Tenhz P4 Pro has one of the richest sets of accessories I’ve ever found in this price range: the box holds the earphones themselves, the cable, a brown leatherette case whose interior is covered in velour with an internal pouch, three pairs of foam eartips and three pairs of silicone tips.

The only (and very minor) issue I found is the case, which closes thanks to magnets; the magnet on the flap was off-centre and this prevented the case to close correctly.

Design & Comfort

If anything, Tenhz P4 Pro’s design does not feel either innovative nor especially curated, yet it’s solid enough to be highly functional and comfortable. The black faceplate are installed on top of a transparent shell made of plastic (resin?), which encases the balanced armatures and the crossover PCB. They’re nothing new, really – in terms of shell shape they’re similar to the KZ ZSR and the TRN V10, while they’re similar to other IEMs such as the BGVP DM6 or the KZ ZSN when it comes to the shape of the faceplate. It’s not exactly new, again, but it’s well done. The company chose to make the faceplate shiny black and to put their logo (in silver) on it.

The Tenhz P4 Pro is well built and appears like a long-lasting product. The materials used do not feel cheap to the eye nor to the touch, and instead feel like they’re high quality. Surprisingly, plastic does not feel plasticky (however weird that may sound!) and has instead a solid feeling to it. As I already mentioned, the balanced armatures and other electrical components are encased in the plastic, so no repair would be possible if they failed.

The shape suggested to me it could end up either in a disaster or in a resounding success, comfort-wise, but luckily the latter is the case here (at least for me). The Tenhz P4 Pro are extremely comfortable, up to the point I barely notice they are in my ears. This applies especially when using the foam eartips, but it is also true with silicone tips. The small size of the shell also helps in this regard. Please keep in mind that this is my personal experience, though, and yours may be quite different as the shape of ears changes from person to person!

I found the Tenhz P4 Pro to be especially good when it comes to isolation: they are truly great at it, acting almost as earplugs. Just wearing them makes it difficult to hear what’s outside: a person speaking at one metre distance is difficult to understand, a train moving is barely noticeable if one listens to music at low volume. Public transport is not an issue, even with crowded subways: one can barely hear the surroundings. This very reason is why they are not recommendable when walking on the street, as one could not hear possibly dangerous events around them.

The cable is really thin and this makes it appear fragile, even though it is actually not. It probably is, however, not as resistant and durable as other cables that come weaved or braided and with thicker cores. It is made of a single core and it is roughly the same size both before and after the Y-split. On the other hand, the ear hooks are made of pre-moulded plastic that has the right shape to feel comfortable, and all the “boxes” on the cable are made of aluminium except for those hosting the MMCX connectors (they’re made of transparent plastic, which keeps the aesthetics consistent). All in all it’s not a bad cable, but it still looks and feels cheaper than cables such as Shozy x Neo CP‘s cable.

Sound & Specs

I tested the Tenhz P4 Pro with various sources, as usual: I used a xDuoo X3-II, an Audirect Beam and a Topping NX4 DSD. In all cases I used an iFi IEMatch due to the high sensitivity that led to hisses being constantly present.

Tenhz T4 Pro

Frequency response 10 – 30,000 Hz Impedance 26 Ω Sensitivity 110 dB

The box of the Tenhz P4 Pro shows a frequency response graph that seems too good to be true – it is almost entirely linear and neutral. It does not seem, however, to be exaggerated. After listening to the earphones for a while, I can say that the graph appears (somewhat) accurate. The Tenhz P4 Pro are really neutral in their sound presentation, with the only remark to be made being that bass could use a bit more presence and depth.

There are four balanced armatures inside each earpiece, for a total of eight across both channels. They’re remarkably well tuned, with no especially noticeable peaks or dips – except for the highest part of the spectrum, which is not as linear as the rest.

Although they are not going to impress you, the Tenhz P4 Pro are good from a technical standpoint. The soundstage is decently wide and coherent, as instruments appear on a stage that goes uninterrupted from side to side, but it never goes beyond the sensation of everything happening in your ears. It also lacks depth, so instruments appear somewhat condensed and squished against a virtual wall. Imaging is quite solid, as instruments are placed on the whole soundstage and with good accuracy. Instrument separation is also very good, probably thanks to the multiple drivers and to them being good. Despite all this, music often sounds very intimate and sometimes even congested.

As I mentioned previously, bass lacks depth and presence, up to a certain extent. The Tenhz P4 Pro are earphones for those who like “neutral” bass that is often in the background and provides body to the mids, but little more. Even in those tracks where bass should be front and centre, it is just on par with the rest of the spectrum. Let’s take Aes Dana’s Borderline: bass should be pervasive and physical, but it’s almost in the background. It never comes out on top, which can be both good or bad depending on your taste. It is the weakest point in the P4 Pro’s presentation, at least when it comes to quantity. Quality is another story, as it comes out as decently fast and detailed. Due to its lack of presence it’s never easy to spot the finer details but, on the other hand, one can always hear how the various instruments are distinguishable and portrayed with a sufficient amount of details.

Midrange is the star of the show: it is always in the spotlight, sometimes appearing on top of bass even when it should not. It’s never aggressive, though, nor is it emphasised. It appears really even in its presentation, and I could never hear any significant emphasis or de-emphasis on any instrument. It also presents the listener with a decent amount of details, that are especially noticeable when percussion instruments are involved. Voices, too, are well detailed and very well represented with good tonality, either male or female ones. There’s no trace of sibilance, and “s” sounds are represented with great naturalness (I noticed this especially when listening to Daft Punk’s Touch). The midrange is definitely solid on the P4 Pro and leaves little to no room for criticism, given its great balance and good detail. Even speed is commendable, with percussion instruments that are immediate and precise.

Treble may be another weak point, in that it sometimes sounds a bit sharp and aggressive: when there are lost of cymbals they can quickly become overwhelming. I think there may be a small peak in the mid-treble region that leads to this, though I have to admit I am not too sure about that and I have no measurements to back up that claim – please take it with a pinch of salt. What I can say with good certainty, however, is that the Tenhz P4 Pro do well in terms of extension and detail. Extension is sufficiently good as to allow highs to sound “complete” and well balanced, so neither strident nor warm, but it also has to be remarked that roll-off is not slow enough to be called “gentle”; rather, it is almost sharp. It seems to me that treble lacks the necessary air, but I suspect that of being related to the relatively narrow soundstage and intimate sound presentation. Detail is the best feature of treble, as it is fine enough to let one hear all the smaller things: as an example, chimes in Within by Daft Punk are one such example.

As they’re generally neutral in their tuning, the Tenhz P4 Pro are able to reproduce a wide array of music genres. The only genres where they falter are those that require more bass and sub-bass – typically electronica, trip-hop, hip-hop, etc.

Before coming to the closing lines, here’s a small comparison with similar headphones:

BGVP DM6: the DM6 are in another class entirely. They offer much better bass extension, with sub-bass reaching far deeper than the P4 Pro, and more presence on top of better detail. Midrange is similar in terms of tuning, but has much more detail. Treble, too, appears more finely detailed and with better extension. It’s in the technical department that the differences are more notable, though, as the P4 Pro have a much narrower soundstage, less accurate imaging and much better instrument separation throughout the spectrum.

BGVP DMG: the DMG are the only headphones in this list that do not aim at neutrality, although they are incredibly well balanced. They have a very slightly V-shaped tuning that emphasises bass and lower treble, so they are a bit different in this sense than the P4 Pro. Their bass is obviously more present, but it is also more extended and detailed. Midrange is brighter, which may not be positive depending on your preference, but there is little difference other than that. Treble is more emphasised, especially in the lower region, and details are therefore laid out in a way that makes them easier to hear. Sound is less close and congested, as soundstage is wider, with imaging that is a bit more accurate and instrument separation that is better.

Shozy x Neo CP: the Shozy x Neo CP sound a bit differently, although they too are aimed at neutrality. Their bass is more present and extended, leading to the lower end being much more audible and (seemingly) detailed. Midrange is similar in terms of detail, but it has a bit more warmth and it seems a bit faster on the CP. Treble is, on the other hand, a bit less detailed on the CP. When it comes to technicalities, soundstage is wider on the CP, but imaging and instrument separation are not too far off.

Tin Audio T2: despite being in a completely different price bracket and using dynamic drivers instead of balanced armatures, the Tin Audio T2 are a benchmark for all other headphones. The first one notices is their presentation is radically different: the soundstage is much wider, instruments are better separated, imaging is more accurate. Tonal balance is also different: there’s more bass, midrange is brighter and treble is more extended. Detail is also more noticeable on the T2, probably due to the combination of better instrument separation and different tuning.

Final Thoughts

The Tenhz P4 Pro are good in-ear headphones: their tuning is almost neutral, their technical ability is decent and their detail retrieval is decent. Overall, they are quite enjoyable and offer top quality isolation and comfort to the list. The thing is that they are just good: they don’t excel at anything and they have to battle with fierce competition that offers either similar features at a lower price or better features at a similar price.

While they are very good on their own, and they are in fact headphones that I can recommend to those looking for neutral IEMs, they have to confront the likes of the BGVP DMG and DM6 or the Tin Audio T2, that are just excellent at their respective price points and offer similar or better features. I can in fact recommend the Tenhz P4 Pro only if you know what you’re looking for – and that is, a neutral IEM with decent features at a relatively affordable price, but not one that will blow your socks off. That may be actually good, though: not everything has to be exceptional, fantastic or excessive to be good and enjoyable, and this is the case.

Tenhz P4Pro – Linsoul Audio

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Shipping FAQ’s

Which countries do you ship to? We are generally able to ship to most countries via Express Shipping, and many countries via Standard Shipping. You may clarify this with our team to check whether Standard Shipping is available to your country. *Note: Generally, we can only do Selected Shipping to India and Russia. We can only do Express Shipping to Africa, Argentina, Hawaii, Kuwait, Mauritius, Montenegro and Sri Lanka, to name a few. This may be subjected to changes due to unpredictable issues such as Covid, war, and etc.

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Tenhz P4 Pro IEM

Tenhz—previously known as Audbos—is the new name in high-value IEMs. The P4 Pro stands out for its four balanced-armature drivers: a configuration rarely seen in IEMs of this price. Plus, the MMCX cable makes for easy replacement down the line. In a five-star Head-Fi review , suman134 says, “The P4 has quickly become one of my favorite earphones. It has what I look for in most earphones: resolution, detail, clarity, transparency, and a decent stage. If you love midrange clarity and instrumental bite enforced with good bass and highs, you will love the P4 without any thoughts. With its ergonomics, it’s one of the most comfortable earphones around.”

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