당신은 주제를 찾고 있습니까 “rme babyface pro fs – RME Babyface Pro FS – Review (ESS version and TotalMix)“? 다음 카테고리의 웹사이트 https://dienbienfriendlytrip.com 에서 귀하의 모든 질문에 답변해 드립니다: https://dienbienfriendlytrip.com/finance/. 바로 아래에서 답을 찾을 수 있습니다. 작성자 Julian Krause 이(가) 작성한 기사에는 조회수 37,082회 및 좋아요 1,903개 개의 좋아요가 있습니다.
rme babyface pro fs 주제에 대한 동영상 보기
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d여기에서 RME Babyface Pro FS – Review (ESS version and TotalMix) – rme babyface pro fs 주제에 대한 세부정보를 참조하세요
In this video I test the Babyface Pro FS from RME and have a closer look at the TotalMix software.
Amazon US | RME Babyface Pro FS: https://amzn.to/3qt8n9s *
Thomann EU | RME Babyface Pro FS: https://www.thomann.de/intl/rme_babyface_pro_fs.htm?offid=1\u0026affid=1188 *
Support the channel on Patreon: https://www.patreon.com/juliankrause **
00:00 Intro
00:35 Hardware Overview
03:57 Design
04:15 Internals
05:07 Mic Input Performance
06:03 Mic Preamp Performance
07:19 Line Input Performance
08:31 Main Output Performance
09:52 HP Output Performance
11:46 TotalMix Overview
13:58 DIGICheck Overview
14:19 Round Trip Latency
14:44 Verdict
* Affiliate links from which I receive a commission for sales. This doesn’t generate any additional cost for you. As an Amazon and Thomann Associate I earn from qualifying purchases.
** Patreon is a platform where you can choose to support the channel by purchasing a monthly subscription.
rme babyface pro fs 주제에 대한 자세한 내용은 여기를 참조하세요.
Babyface Pro FS – RME Audio Interfaces | Format Converters
Combining a huge feature set with sonic excellence and intuitive control, whether for the studio or on the move, the RME Babyface Pro is the most comprehensive …
Source: www.rme-audio.de
Date Published: 2/21/2022
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Card âm thanh RME Babyface Pro FS 24
RME BABYFACE PRO FS Specs ; SNR, Mic/Line Inputs: 113.7 dB RMS 117 dBA. Line/Hi-Z Inputs: 116 dB RMS 120 dBA. Line Outputs: 114.8 dB RMS 118 dBA ; THD, Line …
Source: dienmayviet.com.vn
Date Published: 11/21/2022
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RME Babyface Pro FS 24-channel USB Audio Interface
The RME Babyface Pro FS is a powerful, yet eminently portable, bus-powered USB audio interface. It features a rugged, low-profile housing with a clean look …
Source: www.sweetwater.com
Date Published: 11/27/2021
View: 3278
Babyface Pro FS | High-end USB Audio Interface – rme-usa.com
The Babyface Pro FS not only proves RME´s new SteadyClock FS pro audio clock with FemtoSecond accuracy. The ultra-compact box inherits now the same …
Source: www.rme-usa.com
Date Published: 9/6/2021
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Babyface Pro FS – RME Audio Interfaces – Giavu
Babyface Pro FS – RME Audio Interfaces. Giá bán: 24,500,000 VNĐ (Chưa bao gồm VAT). Bảo hành: Khuyến mãi: Máy thu âm bằng âm thanh USB truyền hình trực tiếp …
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RME Babyface Pro FS 24-Channel 192 kHz Bus … – B&H
The RME Babyface Pro FS 24-Channel 192 kHz USB 2.0 Bus-Powered Audio Interface is designed for a we variety of studio and live recording applications.
Source: www.bhphotovideo.com
Date Published: 7/1/2021
View: 2573
주제와 관련된 이미지 rme babyface pro fs
주제와 관련된 더 많은 사진을 참조하십시오 RME Babyface Pro FS – Review (ESS version and TotalMix). 댓글에서 더 많은 관련 이미지를 보거나 필요한 경우 더 많은 관련 기사를 볼 수 있습니다.
주제에 대한 기사 평가 rme babyface pro fs
- Author: Julian Krause
- Views: 조회수 37,082회
- Likes: 좋아요 1,903개
- Date Published: 2022. 2. 6.
- Video Url link: https://www.youtube.com/watch?v=3i5iS1ULI6Y
Babyface Pro FS – RME Audio Interfaces
ADI-2 Series Headphone Power
The two headphone outputs, offering TRS and mini-jack sockets in parallel, have completely separate driver stages to perfectly match low and high impedance headphones, guaranteeing pristine sonic results no matter what type of headphone is used.
The 3.5 mm TRS phones output power rises to 90 mW. THD of both phones outputs improved by up to 10 dB. and uses same output op-amps as ADI-2 Pro now. Finally the output impedance of 3.5 mm TRS was lowered from 2 Ohms to 0.1 Ohms.
Full range capture – Improved Mic & Line Inputs
For the main I/O RME have designed a XLR socket, which integrates seamlessly into the housing and saves space.Two digitally controlled preamps provide individually switchable 48V phantom power. These circuits feature a gain range of 76 dB, adjustable in steps of 1 dB, including a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection, and enough gain for even the lowest level microphones.
Babyface Pro’s incredibly efficient design almost never requires an external power supply – it’s perfectly stable on USB 3 bus power, and also most USB 2 ports, with no degradation in any technical specification. This makes it perfect for mobile recording, even with a pair of your favourite condenser microphones.
The comprehensive feature set continues with an optical TOSLINK I/O; use as either an ADAT port with SMUX support or SPDIF for sessions up to 192 kHz. In combination with an external ADAT converter, the Babyface Pro fully supports 12 analog inputs as well as 12 outputs, making it ideal for both live and studio multi-track applications. You can plug any instrument, line or high impedance, into Babyface Pro’s jack inputs 3 & 4. Record your guitar on the go, with no additional hardware required. MIDI I/O via an included breakout cable completes the package.
More Pro level Performance with SteadyClock FS
In digital audio, the clock frequency is an essential factor, as it creates the correlation between the audio bits and the time reference. Unfortunately, the clock frequency is not always as stable as desired. The Babyface Pro FS offers the full SteadyClock FS circuit as in the ADI-2 Pro FS for lowest jitter and highest jitter immunity. Excellent performance in all clock modes and High Quality Analog Conversion to hear your mix as it is. Digital format conversion in RME products are done without any loss or degredation,and SteadyClock FS ensures your sonic image will never experience degredation. This helps to optimize recordings and mixes because the soundstage has more depth and clarity.
Mixing & Routing with TotalMix FX & TotalMix Remote
Like all the latest RME interfaces, the Babyface Pro FS also includes the powerful digital real-time mixer TotalMix FX. It allows fully independent routing and mixing of input and playback channels to all physical outputs. Independent stereo submixes plus a comprehensive Control Room section offer unrivalled monitoring capabilities and unsurpassed routing flexibility.
Babyface Pro FS ships with RME’s TotalMix FX, available for Windows and Mac OS X. An iOS version is available as well. This amazingly versatile software allows you to use Babyface Pro in any situation. For example mixing your guitar and vocals to headphones has never been easier. The FPGA-based DSP mixer adds a flexible, 3-band parametric equalizer to all inputs and outputs. The Babyface Pro FS also provides a separate FX send bus for all inputs and software playback channels, feeding two effect engines: Reverb and Echo. Every output channel includes a FX return control for the FX output signal (Effects are not available for operation in stand-alone and iOS mode).
Additionally RME’s latest software, TotalMix Remote, enhances the power of the Babyface Pro FS by enabling remote control via iOS, PC or Mac. With a straightforward set up process — simply enter the IP address of the computer you would like to control with TotalMix Remote and get going — users can quickly adjust any aspect of TotalMix FX on a host system while walking around the studio with their tablet, or from a control room located elsewhere in the facility.
The FPGA-based DSP mixer adds a flexible, 3-band parametric equalizer to all inputs and outputs. Reverb and delay FX are also available. Latest generation low latency AD/DA converters, combined with RME’s unique SteadyClock FS technology, result in exceptional specifications that will satisfy the most demanding of professionals. Combining a huge feature set with sonic excellence and intuitive control, whether for the studio or on the move, the RME Babyface Pro is the most comprehensive and versatile compact audio interface ever built.
Versatile, Portable and Expandable
Straight to the core without interference: the reference design of the Babyface Pro leaves nothing to be desired. RME devices are designed to conserve music as it is. Audio signals are passed in their entirety, nothing added, nothing taken. For the new Babyface, the audio circuits have been improved to meet even highest gain levels with best dynamic range. The clever user interface is informative and clearly laid out. It makes access to every feature and configuration mode of the Babyface Pro intuitive and easy to use.
RME USB – Transport audio with lowest latency and industry leading stability
As part of RME’s product philosophy, we always further develop and optimize our core technology. RME have paved the way for multichannel audio and were the first to deliver professional performance over USB 2.0. We place a high level of attention on the development of reliable, stable, and regularly updated drivers for our products and an unwavering focus on audio quality. This guarantees your Babyface Pro FS will be never outdated and always updated.
And because RME Audio develops its own interface core, it’s not dependent on 3rd parties for upgrades, modifications or bug fixes, so customers can use latest operating systems without interruption or delay.
Card âm thanh RME Babyface Pro FS 24
Giá có thể thay đổi chưa kịp cập nhật, xin vui lòng liên hệ trực tiếp để biết giá
Tên thiết bị: Card âm thanh RME Babyface Pro FS 24-Channel 192 kHz Bus-Powered USB 2.0 Audio Interface
Thương hiệu: RME
Tình trạng: hàng mới, chính hãng 100%
Product Highlights 4 Analog Inputs, 4 Analog Outputs
3.5mm and 6.3mm Headphone Outputs
FPGA Chip for DSP
Integrated XLR Socket
Class Compliant for Mac, PC, Linux, iPad
SteadyClock Jitter Reduction
TOSLINK I/O
MIDI I/O Via Included Breakout Cable
+ 76 dB Gain, Adjustable in 1 dB Steps
TotalMix FX Hardware Mixer RME BABYFACE PRO FS Overview The RME Babyface Pro FS 24-Channel 192 kHz USB 2.0 Bus-Powered Audio Interface is designed for a wide variety of studio and live recording applications. Users of the original Babyface Pro will recognize the look of this portable interface, with its dedicated XLR sockets and parallel phone jacks (1/4″, 3.5mm, and TRS connections). Familiar users will be delighted at the new improvements offered in the Babyface Pro FS. RME has implemented a +19/+4 dBu switch on the bottom to reduce the output level, allowing you to optimize the signal-to-noise ratio of the preamps on a case by case basis. The clocking, already high-quality, has been improved to provide ultralow jitter and jitter immunity. The 3.5mm headphone output power has risen from 70 to 90mW, and both headphone outputs sport improved THD up to 10 dB. Latency now has a typical delay of 5 samples AD and 7 samples DA, one-fifth of previous generations. These are just some of the improvements. The interface ships with the company’s TotalMix FX, a software mixer available for Windows, Mac OS X, and iOS. When using the device with an iPad, an external power adapter must be used, as the iPad alone is unable to power the interface. The mixer software allows you to use the interface in a wide variety of situations, from the simple mixing of signals to more complicated routing configurations. The unit’s FPGA-based DSP mixer adds a flexible 3-band parametric equalizer on all inputs and outputs. Delay and reverb are also on hand. Achieving sample rates and resolutions of up to 192 kHz / 24-bit, the interface offers a professional recording solution in a compact form factor. New Features over Previous Babyface Pro +19/+4 dBu switch on the bottom adds a direct way to reduce the output level, improving SNR for sensitive active monitors, as well as avoiding distortion/overloads, and keeping TotalMix FX faders near 0 dB instead of high attenuations
Full SteadyClock FS circuit for ultralow jitter and high jitter immunity
3.5 mm TRS phones output power rises from 70 mW to 90 mW
THD of both phones outputs improved by up to 10 dB
Uses same output opamps as ADI-2 Pro
Output impedance of 3.5 mm TRS lowered from 2 to 0.1 ohm
Mic inputs SNR improved from 112.2 to 113.7 dB
TRS line inputs SNR improved from 114 to 116 dB RMS (120 dBA)
THD line inputs improved by 8 dB
Latency improved by six samples on the AD side by new ADC (5 samples AD, 7 samples DA)
No increase in power consumption, despite new features
K-slot for theft protection RME BABYFACE PRO FS Specs Form Factor Tabletop Display None Channels of I/O Analog:
4 Input / 4 Output
Digital:
12 Input / 12 Output Max Sample Rate/Resolution 192 kHz / 24-Bit Number of Mic Preamps 2 Expansion Slots None Connectivity Analog Audio I/O 2 x XLR 3-Pin Balanced Mic/Line Input
2 x 1/4″ TS Unbalanced Line/Hi-Z Input
2 x XLR 3-Pin Balanced Monitor Output
1 x 1/4″ TRS Unbalanced Headphone Output
1 x 1/8″ / 3.5 mm TRS Unbalanced Headphone Output Digital Audio I/O 1 x TOSLINK Optical ADAT / S/PDIF Input
1 x TOSLINK Optical ADAT / S/PDIF Output Host Connection / USB 1 x USB Type-B (USB 3.0 / 3.1 Gen 1) MIDI I/O None Wireless Connectivity None Memory Card Slot None Performance Frequency Response Mic, Line Inputs:
18 Hz to 20.8 kHz -0.1 dB (at 44.1 kHz)
7 Hz to 45.8 kHz -0.5 dB (at 96 kHz)
5 Hz to 88 kHz (at 192 kHz)
Line, Hi-Z Inputs:
5 Hz to 20.8 kHz -0.1 dB (at 44.1 kHz)
3 Hz to 45.8 kHz -0.5 dB (at 96 kHz)
2 Hz to 92 kHz -1 dB (at 192 kHz)
Line Outputs:
0 Hz to 20.8 kHz -0.5 dB (at 44.1 kHz)
0 Hz to 45 kHz -0.5 dB (at 96 kHz)
0 Hz to 89 kHz -1 dB (at 192 kHz) Gain/Trim Range Mic/Line/Hi-Z Inputs:
-11 dB to +65 dB Max Input Level Mic Inputs:
+8 dBu (Min Gain)
+19 dBu (with Pad)
-57 dBu (Max Gain)
-46 dBu (with Pad)
Line/Hi-Z Inputs:
+13 dBu (+4 dBu)
-5 dBu (-10 dBV) Headphone Output Power 60 mW into 10 Ohms (Max)
90 mW into 1000 Kilohms (Max) Impedance Mic/Line Inputs:
2 to 5.2 Kilohms (Balanced)
1 to 2.6 Kilohms (Unbalanced)
Line/Hi-Z Inputs:
1 Megohm
Line Outputs:
300 Ohms (Balanced)
150 Ohms (Unbalanced)
Headphone Outputs:
10 Ohms (Unbalanced)
0.1 Ohm (Unbalanced) Dynamic Range D/A Converters:
115 dB RMS
118 dBA SNR Mic/Line Inputs:
113.7 dB RMS
117 dBA
Line/Hi-Z Inputs:
116 dB RMS
120 dBA
Line Outputs:
114.8 dB RMS
118 dBA THD Line Outputs:
-106 dB / 0.0005%
Line/Mic Inputs:
-112 dB / 0.00024%
-115 dB / 0.00016% (+30 dB Gain) THD+N Mic/Line Inputs:
< -108 dB / < 0.00035% < -100 dB / < 0.001% Line Outputs: < -102 dB / 0.0008% Channel Separation Mic/LineInputs: > 110 dB
LineOutputs:
> 110 dB Digital Audio Sample Rates Up to 200 kHz Bit Depths Up to 24-Bit Sync Sources ADAT Compatibility OS Compatibility macOS
Windows
iOS Included Software None Supported Drivers/API & Plug-Ins macOS Class-Compliant (No Driver Needed)
ASIO Power Power Requirements AC/DC Power Adapter (Not Included), USB Bus Power Power Consumption 2.8 W (Idle)
3.7 W (Typical)
5.4 W (Maximum) Physical Anti-Theft Features Kensington Security Slot Operating Humidity 75% (Recommended) Operating Temperature 41 to 122°F / 5 to 50°C Dimensions 7.13 x 4.25 x 1.38″ / 18.11 x 10.79 x 3.51 cm Weight 1.5 lb / 680.0 g Packaging Info Package Weight 3.73 lb Box Dimensions (LxWxH) 11.6 x 6.3 x 3.3″ In the Box RME Babyface Pro FS 24-Channel 192 kHz Bus-Powered USB 2.0 Audio Interface
MIDI Breakout Cable
USB Type-B to USB Type-A Cable
USB Type-B to USB Type-C Cable
Carrying Box
Limited 2-Year Warranty Chúng tôi vận chuyển tận nơi trên toàn quốc, nhận hàng thanh toán tiền cho người giao hàng. Hà Nội nhận hàng trong ngày. Các tỉnh khác nhận hàng 1 -2 ngày
Liên hệ: 0946.112.556 – 0320.2.223.225 – 0320.3.841.496.
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RME Babyface Pro FS 24-channel USB Audio Interface
>>
The RME Babyface Pro FS includes a premium plug-in bundle that’s sure to jumpstart your creativity. Scuffham’s S-Gear is a top-shelf, ultra-flexible guitar amp simulator that was created by a former product designer from a certain legendary British amplifier company. Brainworx bx_opto yields classic optical-style compression with a streamlined interface, while bx_masterdesk reproduces the sound of a high-end analog mastering system. You also get trial versions of Pianoteq 6 by Modartt and the Blue 3 Organ by GG Audio, along with a 14-day, full version of Gig Performer. You also get a 3-month subscription to Antares Autotune Unlimited. This USB-C-compatible audio interface includes USB-2 and USB-C cables.
The Babyface Pro FS comes loaded with RME’s TotalMix FX engine. This dual-DSP system uses one DSP chip for monitor mixing, leaving the other free for latency-free effects and processing. The routing side of TotalMix FX gives you a fully flexible 288-channel mixer with 46-bit internal resolution. Each of the Babyface Pro FS’s channels features a 3-band EQ, low-cut filter, reverb, and echo. That means you can track with the effects and processing you need, without ever having to worry about latency or your computer’s processing power.
On top of its updated SteadyClock FS circuit, the Babyface Pro FS includes a bevy of other improvements over its predecessor. Its microphone preamps boast an improved signal-to-noise ratio, from 112.2dB to 113.7dB, while the line/instrument inputs went from 114dB to 116.3dB. The line inputs’ THD was improved by 8dB. The Babyface Pro FS employs the same high-quality output op-amps as the ADI-2 Pro. Its 3.5mm headphones output power was increased from 70mW to 90mW, and the THD of both headphones outputs has been improved by up to 10dB. Plus, the 3.5mm output’s impedance was lowered from 2 ohms to 0.1 ohms. A +19/+4dBu switch reduces the interface’s output level, improving its signal-to-noise ratio for sensitive active monitors, avoiding overloads and distortion, and enabling you to keep TotalMix FX’s faders near 0dB instead of at high attenuations. You also get six samples less latency on the A/D side. And all of these improvements were achieved without raising the audio interface’s power consumption!
Boasting the same SteadyClock FS circuit as RME’s reference-quality ADI-2 Pro AD/DA converter, the Babyface Pro FS takes self-jitter to new lows, eclipsing its predecessor’s already impressive performance with an upgraded analog PLL circuit and referencing both Direct Digital Synthesis and PLL to a low-phase-noise quartz crystal. In fact, the Babyface Pro FS’s self-jitter reaches levels that are usually only available in master quartz clock mode, even while running in PLL mode. Thanks to this updated circuit, the Babyface Pro FS reaches jitter specs as low as a femtosecond. Just to put it in perspective, that’s 1/1,000,000,000,000,000 of a second!
The sheer power and flexibility of the Babyface Pro FS are pretty remarkable when you lay your eyes on it. Its low-profile aluminum casing has a great clean look but still offers deep control over levels, sub-mixes, and gain structures. There are two reference-quality digitally controlled mic preamps, two balanced line outputs, line/instrument inputs, ADAT/SPDIF I/O, a MIDI port, and two headphone outputs. You also get onboard metering with peak and RMS calculation. Best of all, the Babyface Pro FS achieves all of this while staying very straightforward and looking great on your desk. We’re impressed by the Babyface Pro FS here at Sweetwater — it packs a lot of power into a sleek desktop interface.
The RME Babyface Pro FS is a powerful, yet eminently portable, bus-powered USB audio interface. It features a rugged, low-profile housing with a clean look and easy-to-use interface. Benefit from reference-quality recording, thanks to two digitally controlled microphone preamps, while ample analog, digital, and MIDI connectivity makes integration with your studio easy. The Babyface Pro FS employs the same SteadyClock FS circuit as RME’s reference-quality ADI-2 Pro AD/DA converter, ensuring ultra-stable clocking, while a bevy of design improvements offers a huge performance boost over its predecessor. Enjoy a fully flexible 288-channel mixer with 46-bit internal resolution, courtesy of RME’s TotalMix FX engine, along with latency-free processing, including a 3-band EQ, low-cut filter, reverb, and echo. Clear-cut onboard metering rounds out this state-of-the-art audio interface’s impressive features. The RME Babyface Pro FS is USB-C compatible and comes with a premium plug-in bundle, plus USB-2 and USB-C cables.
Additional Media
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Customer Reviews Rated 5/5 Based on 25 reviews Write your review
High-end USB Audio Interface – rme-usa.com
Connects to USB2 and USB-C (cable included). All features working fully bus-powered, even on legacy USB ports!
Go all-in. Get the best out!
Combining the best mobile MicPres, AD/DA, Headphone Amps,
Mac & Win Drivers and Low-Latency Performance in a single USB-powered interface.
Babyface Pro FS – Pristine Sound Quality. Ultra-Portable Design. Unparalleled Innovation.
Record exactly what you hear
Audio signals captured by the Babyface Pro FS are passed in their entirety, nothing added, nothing taken. The end result: reference quality recordings that rise above the competition, and that you’ll be proud to call your own.
Both headphone outputs provide the High Power / Zero Noise design of the industry-leading, reference converter ADI-2 Pro FS now. Lowest Noise achieved!
Industry-leading headphone preamp technology guarantees lowest-noise and ultra-low latency, outperforming even well regarded stand-alone headphone amplifiers, no matter what type of headphone or IEMs are used!
The THD of both parallel phones outputs improve by 10 dB. The 3.5 mm TRS phones output power rises to 90 mW. THD of both phones outputs improved by up to 10 dB. Finally the output impedance of 3.5 mm TRS was lowered from 2 Ohms to 0.1 Ohms.
Connect your favorite Gear.
Best-in-Class Mic & Line Inputs
For the main I/O RME have designed a XLR socket, which integrates seamlessly into the housing and saves space.Two digitally controlled preamps provide individually switchable 48V phantom power. These circuits feature a gain range of 76 dB, adjustable in steps of 1 dB, including a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection, and enough gain for even the lowest level microphones.
Babyface Pro’s incredibly efficient design almost never requires an external power supply – it’s perfectly stable on USB 3 bus power, and also most USB 2 ports, with no degradation in any technical specification. This makes it perfect for mobile recording, even with a pair of your favourite condenser microphones.
The comprehensive feature set continues with an optical TOSLINK I/O; use as either an ADAT port with SMUX support or SPDIF for sessions up to 192 kHz. In combination with an external ADAT converter, the Babyface Pro fully supports 12 analog inputs as well as 12 outputs, making it ideal for both live and studio multi-track applications. You can plug any instrument, line or high impedance, into Babyface Pro’s jack inputs 3 & 4. Record your guitar on the go, with no additional hardware required.
MIDI I/O via an included breakout cable completes the package.
Industry Reviews
More Outstanding Features
RME Audio Interfaces
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